South Dakota Acuerdo entre compositor y vocalista sobre la grabación de un musical - Agreement Between Composer and Vocalist regarding the Recording of a Musical

• Category: Contratos - Grabación - Composiciones Musicales
• State: Multi-State
• Control #: US-00829BG
• Format: Word

Description

This form is a sample of an agreement between a vocalist and composer who has written, recorded, and owns the copyright to, a musical. The South Dakota Agreement Between Composer and Vocalist regarding the Recording of a Musical is a legal document that establishes the terms and conditions between a composer and a vocalist (or vocalists) in South Dakota for the purpose of recording a musical. This agreement ensures that both parties are protected and have a clear understanding of their rights, responsibilities, and compensation related to the recording process. Key terms and clauses included in the South Dakota Agreement Between Composer and Vocalist regarding the Recording of a Musical may include: 1. Parties Involved: Clearly state the names and contact information of both the composer and vocalist(s) participating in the agreement. 2. Purpose: Define the purpose of the agreement, specifically stating that it pertains to the recording of a particular musical project. 3. Grant of Rights: Specify the rights granted by the composer to the vocalist, including the right to record, perform, and distribute the musical composition. Outline any limitations on these rights. 4. Compensation: Detail how the vocalist will be compensated for their participation in the recording. This may include agreed-upon fees, royalties, or a combination of both. State the methods and frequency of payment. 5. Recording Schedule: Establish a timeline for the recording process, including specific dates for rehearsals, recording sessions, and delivery of the final recordings. 6. Copyright and Ownership: Address the issue of copyright ownership and specify whether the composer retains the full rights to the musical composition or if the vocalist(s) will also have partial ownership. Determine whether any changes or adaptations to the composition can be made. 7. Performance and Promotion: Define the rights and obligations related to live performances of the musical and how promotional activities will be coordinated between the composer and vocalist. Address the use of names, photos, and recordings for promotional purposes. 8. Termination: Outline the circumstances under which either party can terminate the agreement and the consequences of termination, including the return of any advance payments, settling outstanding balances, or discontinuing the use of recordings. There may be different variations or subtypes of the South Dakota Agreement Between Composer and Vocalist regarding the Recording of a Musical, depending on factors such as the nature of the musical project (original composition or adaptation), the involvement of additional musicians or collaborators, or specific conditions negotiated between the parties involved. However, the core elements discussed above generally apply to all types of such agreements in South Dakota.

The South Dakota Agreement Between Composer and Vocalist regarding the Recording of a Musical is a legal document that establishes the terms and conditions between a composer and a vocalist (or vocalists) in South Dakota for the purpose of recording a musical. This agreement ensures that both parties are protected and have a clear understanding of their rights, responsibilities, and compensation related to the recording process. Key terms and clauses included in the South Dakota Agreement Between Composer and Vocalist regarding the Recording of a Musical may include: 1. Parties Involved: Clearly state the names and contact information of both the composer and vocalist(s) participating in the agreement. 2. Purpose: Define the purpose of the agreement, specifically stating that it pertains to the recording of a particular musical project. 3. Grant of Rights: Specify the rights granted by the composer to the vocalist, including the right to record, perform, and distribute the musical composition. Outline any limitations on these rights. 4. Compensation: Detail how the vocalist will be compensated for their participation in the recording. This may include agreed-upon fees, royalties, or a combination of both. State the methods and frequency of payment. 5. Recording Schedule: Establish a timeline for the recording process, including specific dates for rehearsals, recording sessions, and delivery of the final recordings. 6. Copyright and Ownership: Address the issue of copyright ownership and specify whether the composer retains the full rights to the musical composition or if the vocalist(s) will also have partial ownership. Determine whether any changes or adaptations to the composition can be made. 7. Performance and Promotion: Define the rights and obligations related to live performances of the musical and how promotional activities will be coordinated between the composer and vocalist. Address the use of names, photos, and recordings for promotional purposes. 8. Termination: Outline the circumstances under which either party can terminate the agreement and the consequences of termination, including the return of any advance payments, settling outstanding balances, or discontinuing the use of recordings. There may be different variations or subtypes of the South Dakota Agreement Between Composer and Vocalist regarding the Recording of a Musical, depending on factors such as the nature of the musical project (original composition or adaptation), the involvement of additional musicians or collaborators, or specific conditions negotiated between the parties involved. However, the core elements discussed above generally apply to all types of such agreements in South Dakota.

Para su conveniencia, debajo del texto en español le brindamos la versión completa de este formulario en inglés. For your convenience, the complete English version of this form is attached below the Spanish version.