Tennessee Musical Compositions Co-Publishing Agreement
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How to fill out Musical Compositions Co-Publishing Agreement?
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FAQ
The publisher and songwriter typically co-own the publisher's share of publishing equally (i.e. 50/50). This really means that the publisher owns and retains 50 percent of half of the total revenue from songs created or assigned during the term of your agreement.
Under the co-publishing agreement, the songwriter co-owns the copyright in his or her songs (usually through a wholly owned company) and receives a portion of the publisher's share of income (usually 50%) in addition to the songwriter's share.
The contract will also include basic things such as your word count (usually 85-100,000 words for commercial fiction), how many books the publisher is buying from you at this stage (usually one or two for a first deal), your delivery dates and planned publication dates, your responsibilities if there are any (such as ...
In a co-publishing agreement ? one of the most common publishing deals for major songwriters ? you typically give away 50% of your publisher's share (?co-publishing?) when you sign. This means you still keep 100% of your writer's share, but only 50% of your publisher's share: 75% of your total publishing royalties.
Co-Publishing Agreements One main difference between an administration ?deal? and a co-publishing ?deal? is that in a co-publishing agreement, the music publisher and the writer may co-own the copyrights in the compositions.
The co-publishing agreement is one of the most important contractual arrangements in the music industry. It gives the songwriter a share of certain rights and income that he or she would not be entitled to under the standard writer-publisher contract.
With a co-publishing agreement, artists like you typically give away 50% ownership of their publisher's share ( hence the name, ?co-publishing?) when they sign. This means you'll keep: 100% of your writer's share. 50% of your publisher's share.