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Salvador Dali was known for his distinctive handlebar mustache, which became an iconic part of his image. This unique facial hair style, characterized by upwardly curved ends, was often seen in photographs and paintings of Dali.

There are five common themes in surrealistic artwork: juxtaposition, scale, repetition, metamorphosis, and impossible actions. Often these themes are used together, and sometimes it is difficult to tell what category an image would fall into.

He developed many of the most distinctive images associated with Surrealism, including his double images and the singular, defining icon of the movement – the melting clock.

Realism and Surrealism basically have no common ground aside from their names being similar, with exception of some surrealist works also using a true-to-life depiction of objects (which usually tends to lean towards Hyperrealism).

In 1939, when Dalí no longer tried to hide his support for Spanish dictator Francisco Franco and had crowned himself the king of surrealism in the United States, Breton finally decided to permanently expel him from the Surrealists, citing his racism.

Surrealism officially began with Dadaist writer André Breton's 1924 Surrealist manifesto, but the movement formed as early as 1917, inspired by the paintings of Giorgio de Chirico, who captured street locations with a hallucinatory quality.

While the term automatism is specifically associated with twentieth-century artists, and particularly surrealism, earlier artists such as Alexander Cozens used some elements of chance to create works, while others reportedly tapped into visionary or trance states.

Known for his theatrical behavior and appearance (especially his cartoonishly waxed mustache) and for paintings (frenzied swirls of delirious, if not demented, subject matter) and found-object sculptures (e.g., Lobster Telephone, 1938, a handset sheathed in a crustacean carapace), Dalí became synonymous with Surrealism ...