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If an individual work not originally written as part of a musical drama (small rights) is used in a dramatic context of some kind, this would constitute a dramatic performance and therefore a grand rights issue. The rights holders must then act in ance with the applicable regulations, as stated here.
For stage plays, most PROs would consider a theatrical license, sometimes called theatrical rights or grand rights. A theatrical license applies to the use of music that was not composed specifically for a dramatic performance that includes visual elements.
Musicals, operas, oratorios, and other similar works that are written to tell a story (even if the story is fairly abstract) are treated as grand-rights works when performed in their entirety or when enough of the piece is performed to convey a section of the story, for example an act, a scene, or a significant excerpt ...
Grand rights is a type of music licensing, specifically covering the right to perform musical compositions within the context of a dramatic work. This includes stage performances such as musical theater, concert dance, and arrangements of music from a dramatic work.
Whereas a licensee of small rights pays one fee for unlimited use, a grand rights license requires payment per performance. The permissions and costs vary depending on how much of an individual song is in the dramatic production and for how long.
Grand Rights. There are some additional sources of potential income, including fees from grand rights uses, which are dramatizations of the composition on stage, on television or in a motion picture.
N. A copyright owner's exclusive right to control the public presentation or a work, either live, through broadcast, or in moving image or sound recordings.
Grand Rights - for permission to perform music as part of a staged work (i.e an opera or ballet); Synchronisation - for permission to include music as part of a media production (i.e a film or stream);