Checklist of matters to be considered in drafting a contract for the employment of an actor in the motion picture industry:
- 1. Names of parties.
- 2. Addresses of parties.
- 3. Statement of hiring.
- 4. Duties of actor.
- 5. Exclusive nature of actor's services.
- 6. Performances other than in motion pictures required of actor (for example, radio or television appearances).
- 7. Producer's right to loan actor's services.
- 8. Place or places of performance.
- 9. Duration of contract.
- 10. Suspension of contract or employment.
- Â Â Â Â Â A. During actor's incapacity.
- Â Â Â Â Â B. During interruption of employer's business.
- Â Â Â Â Â C. While actor in default.
- 11. Termination of contract.
- Â Â Â Â Â A. Grounds (for example, actor's incapacity or inability to perform, or suspension of production).
- Â Â Â Â Â B. Procedure.
- 12. Compensation of actor
- Â Â Â Â Â A. Amount.
- Â Â Â Â Â B. Additional compensation for extra services, and the like.
- Â Â Â Â Â C. Times payable.
- Â Â Â Â Â D. Right to suspend or terminate compensation.
- Â Â Â Â Â E. Right to extend term of contract.
- Â Â Â Â Â F. Reimbursement of expenses for, or furnishing of, transportation for actor.
- Â Â Â Â Â G. Board and lodging while on location.
- 13. Ownership of proceeds of actor's work.
- 14. Right to use actor's name, likeness, recordings, photographs, and the like, for advertising purposes.
- 15. Credits to be given to actor
- 16. Providing costumes and wardrobe for actor.
- 17. Right to dub actor's voice and to use double or substitute actor.
- 18. Conduct of actor.
- 19. Liability of actor for damage caused by unauthorized absences.
- 20. Life, health, or other insurance for actor.
- 21. Effect of interruption of production or of closing of theaters from which producer derives revenue
- 22. Guarantee of employment.
- 23. Assignment of contract or of rights under contract.
- 24. Layoffs.
- 25. Breach, including:
- Â Â Â Â Â A. Effect of breach;
- Â Â Â Â Â B. Rights and remedies of parties; and
- Â Â Â Â Â C. Effect of waiver of breach.
- 26. Incorporation of union agreement, rules, or regulations into contract.
- 27. Manner of giving notice.
- 28. Indication of jurisdiction whose law governs contract
- 29. Effect of illegality of provisions in contract.
- 30. Signatures of parties.
Title: Understanding the Iowa Agreement Motion Picture Actor to Perform as Directed by Producer Introduction: The Iowa Agreement Motion Picture Actor to Perform as Directed by Producer is a contractual arrangement that outlines the responsibilities, obligations, and rights of actors involved in motion picture productions in Iowa, USA. This agreement sets standards and expectations for both actors and producers, ensuring a streamlined workflow and protecting the interests of all parties involved. Keywords: Iowa Agreement, Motion Picture Actor, Perform as Directed, Producer, contractual arrangement, responsibilities, obligations, rights, motion picture productions, streamlined workflow, parties involved. Types of Iowa Agreement Motion Picture Actor to Perform as Directed by Producer: 1. Standard Iowa Agreement: The standard Iowa Agreement is the most commonly used contract form for motion picture productions in Iowa. It covers the essential elements such as the actor's compensation, working hours, filming schedule, rehearsal expectations, and other necessary terms and conditions. It is designed to protect the actor's rights and ensure fair treatment throughout the production process. 2. Iowa Agreement for Independent Films: This specific type of Iowa Agreement is tailored for independent film productions, which typically have lower budgets and unique circumstances. It takes into account the specific needs and limitations of independent productions, including modified compensation structures, flexible shooting schedules, and alternative rights and residuals negotiations. 3. Iowa Agreement for Television Productions: Television productions often require different contractual arrangements due to their distinct format, structure, and schedule. The Iowa Agreement for Television Productions outlines the terms specific to actors working in television shows filmed in Iowa. It covers aspects such as episode commitments, series regular or guest star status, recurring roles, and the use of an option clause for multiple seasons. 4. Iowa Agreement for Commercial Productions: This agreement is specifically designed for actors involved in commercial productions shot in Iowa. It focuses on addressing the unique considerations of shorter filming schedules, the categorization of commercial roles (lead, supporting, cameo, etc.), and compensation structures that may include additional usage fees or royalties. 5. Iowa Agreement for Animation and Voice over Work: For actors primarily involved in animation or voice over work, this agreement caters to their specific needs. It highlights aspects such as talent's contribution to characterization, payment per recording session or role duration, and possible revenue sharing arrangements based on the project's success. Conclusion: The Iowa Agreement Motion Picture Actor to Perform as Directed by Producer is a crucial legal framework that ensures both actors and producers are on the same page in terms of expectations and obligations. By using various types of the agreement tailored to specific production types, the rights and responsibilities of the actors can be adequately protected and harmonized with the requirements of the production. This agreement helps establish a professional and mutually beneficial working relationship between actors and producers in the vibrant Iowa film industry. Keywords: Iowa Agreement, Motion Picture Actor, Perform as Directed, Producer, contractual framework, expectations, obligations, protected, production types, working relationship, film industry.
