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Co-Publishing Agreements One main difference between an administration ?deal? and a co-publishing ?deal? is that in a co-publishing agreement, the music publisher and the writer may co-own the copyrights in the compositions.
In a co-publishing agreement ? one of the most common publishing deals for major songwriters ? you typically give away 50% of your publisher's share (?co-publishing?) when you sign. This means you still keep 100% of your writer's share, but only 50% of your publisher's share: 75% of your total publishing royalties.
With a co-publishing agreement, artists like you typically give away 50% ownership of their publisher's share ( hence the name, ?co-publishing?) when they sign. This means you'll keep: 100% of your writer's share. 50% of your publisher's share.
While the record deal establishes ownership of and royalties paid on the recordings made by an artist for a record label, the publishing deal is all about exploiting the copyright in the songs themselves (ie, melodies and lyrics), and ensuring that the songwriter gets paid whenever they're played on the radio, online ...
The co-publishing agreement is one of the most important contractual arrangements in the music industry. It gives the songwriter a share of certain rights and income that he or she would not be entitled to under the standard writer-publisher contract.
Under the co-publishing agreement, the songwriter co-owns the copyright in his or her songs (usually through a wholly owned company) and receives a portion of the publisher's share of income (usually 50%) in addition to the songwriter's share.
The publisher and songwriter typically co-own the publisher's share of publishing equally (i.e. 50/50). This really means that the publisher owns and retains 50 percent of half of the total revenue from songs created or assigned during the term of your agreement.