Oklahoma Agreement Between Composer and Vocalist regarding the Recording of a Musical

• Category: Contracts - Recording
• State: Multi-State
• Control #: US-00829BG
• Format: Word; Rich Text

Description

This form is a sample of an agreement between a vocalist and composer who has written, recorded, and owns the copyright to, a musical. An Oklahoma Agreement Between Composer and Vocalist regarding the recording of a musical is a document that outlines the terms and conditions agreed upon by the composer and the vocalist for the recording and use of their collaborative musical work, specifically related to the production and distribution of the recording. This agreement serves as a legal framework to protect the rights and interests of both parties involved. The agreement typically covers several key aspects, including copyright ownership, recording and distribution rights, financial considerations, and any other specific provisions necessary for the successful recording and release of the musical work. 1. Copyright Ownership: This section of the agreement clarifies the ownership of the musical work, specifying whether the composer or the vocalist holds the copyright, or if it is shared jointly. It may also address any potential future changes to copyright ownership and the songwriter's credits. 2. Recording and Distribution Rights: Here, the agreement outlines the permissions granted by the composer to the vocalist for recording and distributing the musical work. It may specify the mediums and formats in which the work can be recorded, such as digital, physical, or streaming services. Additionally, it may address any limitations or exclusivity clauses, defining whether the recording will be exclusive to certain platforms or open for widespread distribution. 3. Financial Considerations: The financial aspect of the agreement covers the compensation structure for both the composer and the vocalist. It will outline the revenue sharing agreement, typically a percentage-based royalty, which determines how the income generated from the commercial exploitation of the musical recording will be divided between the parties. This section may also include provisions related to advances, recoupment, and accounting procedures. 4. Performance and Promotional Rights: This section defines how the composer and the vocalist can perform and promote the recorded musical work. It may include provisions related to live performances, broadcasting rights, synchronization licenses, and any obligations or restrictions on the usage of the musical work for promotional purposes. 5. Termination and Dispute Resolution: This part of the agreement outlines the conditions under which either party can terminate the agreement, such as breaches, negligence, or other eligible causes. It may also include a dispute resolution clause, indicating the preferred method of solving any disputes that may arise during the recording process. Different types of Oklahoma Agreements Between Composer and Vocalist may exist based on the specific requirements or circumstances of the recording of a musical. For example, variations may include agreements that pertain specifically to a collaborative album or a single recording project. Additionally, the agreement terms can vary depending on whether the musical work is an original composition or a cover version of an existing song. Each type of agreement will address the unique considerations and objectives of the composer and vocalist involved.

An Oklahoma Agreement Between Composer and Vocalist regarding the recording of a musical is a document that outlines the terms and conditions agreed upon by the composer and the vocalist for the recording and use of their collaborative musical work, specifically related to the production and distribution of the recording. This agreement serves as a legal framework to protect the rights and interests of both parties involved. The agreement typically covers several key aspects, including copyright ownership, recording and distribution rights, financial considerations, and any other specific provisions necessary for the successful recording and release of the musical work. 1. Copyright Ownership: This section of the agreement clarifies the ownership of the musical work, specifying whether the composer or the vocalist holds the copyright, or if it is shared jointly. It may also address any potential future changes to copyright ownership and the songwriter's credits. 2. Recording and Distribution Rights: Here, the agreement outlines the permissions granted by the composer to the vocalist for recording and distributing the musical work. It may specify the mediums and formats in which the work can be recorded, such as digital, physical, or streaming services. Additionally, it may address any limitations or exclusivity clauses, defining whether the recording will be exclusive to certain platforms or open for widespread distribution. 3. Financial Considerations: The financial aspect of the agreement covers the compensation structure for both the composer and the vocalist. It will outline the revenue sharing agreement, typically a percentage-based royalty, which determines how the income generated from the commercial exploitation of the musical recording will be divided between the parties. This section may also include provisions related to advances, recoupment, and accounting procedures. 4. Performance and Promotional Rights: This section defines how the composer and the vocalist can perform and promote the recorded musical work. It may include provisions related to live performances, broadcasting rights, synchronization licenses, and any obligations or restrictions on the usage of the musical work for promotional purposes. 5. Termination and Dispute Resolution: This part of the agreement outlines the conditions under which either party can terminate the agreement, such as breaches, negligence, or other eligible causes. It may also include a dispute resolution clause, indicating the preferred method of solving any disputes that may arise during the recording process. Different types of Oklahoma Agreements Between Composer and Vocalist may exist based on the specific requirements or circumstances of the recording of a musical. For example, variations may include agreements that pertain specifically to a collaborative album or a single recording project. Additionally, the agreement terms can vary depending on whether the musical work is an original composition or a cover version of an existing song. Each type of agreement will address the unique considerations and objectives of the composer and vocalist involved.