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Sync licensing is one of the numerous ways of making money as an indie artist. Basically, it's making money from your music due to its use in other visual media. If your music is used in a movie, video game, advertisement, TV shows, etc., you can generate substantial revenue.
The big question here is: how are ASCAP and BMI different? Do I need both ASCAP and BMI? No, you don't need to sign up with both ASCAP and BMI. In fact, it's better if you register all your songs with just one of these Performance Rights Organizations (PROs).
A public performance license is an agreement between a music user and the owner of a copyrighted composition (song), that grants permission to play the song in public, online, or on radio. This permission is also called public performance rights, performance rights, and performing rights.
The master license pays only the artist for the right to use their recording; the synchronization license pays the composer for the right to use their song.
The copyright holder of the music grants the license, and your cost ranges from a handful of dollars to hundreds of thousands of dollars, depending on the song and how you are using it. No law forces a copyright holder to grant a synchronization license to anybody willing to pay for it.
A synchronization license is an agreement between a music user and the owner of a copyrighted composition (song) that grants permission to release the song in a video format (YouTube, DVDs, Blue-ray discs). This permission is also called synchronization rights, synch rights, or sync rights.
On top of the initial sync licensing fee, songwriters and publishers can also earn performance royalties every time a program containing their song is streamed or otherwise broadcast. In some cases, the combination of these two payments can create significant income streams from little more than a single song.
The Sync License Fee ? This is the song composition fee, which is paid for the right to use the composition itself (lyrics and melody). 2. Music Master License Fee ? The master recording fee is paid to whoever owns the ?master?. This could be the artist, the songwriter, or the label if there is a label involved.