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Performance royalties are paid by Performing Rights Organizations to songwriters and publishers for the public broadcast of music. These royalties come from blanket license fees paid to Performing Rights Organizations by businesses who broadcast music (e.g. radio / TV stations, live venues, restaurants).
You can ask the police to file criminal charges, but this sounds more like a breach of contract action to be taken to civil court.
A distributor collects royalties directly from stores/streaming platforms on behalf of labels. An artist's label will then collect the recording royalties and distribute them to the artist. If an artist is not with a label, the artist will collect the recording royalties directly from the distributor.
A performance rights organisation (PRO), also known as a performing rights society, provides intermediary functions, particularly collection of royalties, between copyright holders and parties who wish to use copyrighted works publicly in locations such as shopping and dining venues.
A royalty is a legally binding payment made to an individual or company for the ongoing use of their assets, including copyrighted works, franchises, and natural resources.
Royalties are typically agreed upon as a percentage of gross or net revenues derived from the use of an asset or a fixed price per unit sold of an item of such, but there are also other modes and metrics of compensation. A royalty interest is the right to collect a stream of future royalty payments.
Public performances generate performance royalties for songwriters, which are collected by the PROs (ASCAP, BMI, or SESAC).(Note: some other performance royalty sources, including internet radio, do pay performers and sound recording copyright owners.
Those performance royalties are paid by radio stations, venues, and TV networks to Performing Rights Organizations like ASCAP, BMI, SESAC, and SOCAN (in Canada). The PRO then distributes the money to their affiliated songwriters and publishers.