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The publisher and songwriter typically co-own the publisher's share of publishing equally (i.e. 50/50). This really means that the publisher owns and retains 50 percent of half of the total revenue from songs created or assigned during the term of your agreement.
In a co-publishing agreement ? one of the most common publishing deals for major songwriters ? you typically give away 50% of your publisher's share (?co-publishing?) when you sign. This means you still keep 100% of your writer's share, but only 50% of your publisher's share: 75% of your total publishing royalties.
The co-publishing agreement is one of the most important contractual arrangements in the music industry. It gives the songwriter a share of certain rights and income that he or she would not be entitled to under the standard writer-publisher contract.
Under the co-publishing agreement, the songwriter co-owns the copyright in his or her songs (usually through a wholly owned company) and receives a portion of the publisher's share of income (usually 50%) in addition to the songwriter's share.
Co-Publishing Agreements One main difference between an administration ?deal? and a co-publishing ?deal? is that in a co-publishing agreement, the music publisher and the writer may co-own the copyrights in the compositions.
A Publishing or Song-writing Agreement is the document by which a songwriter assigns the copyright in their compositions to a music publisher in exchange for royalties and, in appropriate cases, an advance against those royalties.
With a co-publishing agreement, artists like you typically give away 50% ownership of their publisher's share ( hence the name, ?co-publishing?) when they sign. This means you'll keep: 100% of your writer's share. 50% of your publisher's share.