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For stage plays, most PROs would consider a theatrical license, sometimes called theatrical rights or grand rights. A theatrical license applies to the use of music that was not composed specifically for a dramatic performance that includes visual elements.
If an individual work not originally written as part of a musical drama (small rights) is used in a dramatic context of some kind, this would constitute a dramatic performance and therefore a grand rights issue. The rights holders must then act in ance with the applicable regulations, as stated here.
Performance Royalties This is a dramatic performance right reserved for licensing by the copyright owner who in most cases is the Author (book writer, composer and lyricist) or the music publisher in the case of pre-existing songs.
In most cases, this sync license fee can range from a few hundred dollars for a small artist in a small project to a few hundred thousand dollars for a major artist whose song is being used in a large budget production.
Musicals, operas, oratorios, and other similar works that are written to tell a story (even if the story is fairly abstract) are treated as grand-rights works when performed in their entirety or when enough of the piece is performed to convey a section of the story, for example an act, a scene, or a significant excerpt ...
Grand Rights - for permission to perform music as part of a staged work (i.e an opera or ballet); Synchronisation - for permission to include music as part of a media production (i.e a film or stream);