Houston Texas Songwriter Performance Agreement

State:
Multi-State
City:
Houston
Control #:
US-0026BG
Format:
Word; 
PDF; 
Rich Text
Instant download

Description

Writer Performance Agreement between Manager and Promoter Living out the Terms defining the following 1) Scope of Performance; 2) Date, Time and Place for the Performance; 3) Compensation; and, 4) Technical Requirements.<\p>

A Houston Texas Songwriter Performance Agreement is a legal document that outlines the terms and conditions between a songwriter and a performance entity for live performances in Houston, Texas. This agreement ensures that both parties involved are protected and have a clear understanding of their obligations. The content of a Houston Texas Songwriter Performance Agreement typically includes the following important components: 1. Parties Involved: The agreement identifies the songwriter, performance entity (such as a band, music venue, or event organizer), and any additional parties participating in the performance. 2. Performance Details: The agreement specifies the date, time, and location of the performance, along with any additional requirements, such as sound equipment, stage setup, or rehearsal schedules. 3. Compensation and Royalties: This section outlines the payment terms and conditions for the songwriter. It states the agreed performance fee, which may include a flat rate, percentage of ticket sales, merchandise revenue, or other mutually agreed-upon arrangements. Additionally, if the performance generates any royalties, such as for the songwriter's original songs, the agreement should cover the distribution and reporting of these royalties. 4. Performance Obligations: This section defines the responsibilities of the songwriter and the performance entity. It may include requirements for soundcheck, stage performance duration, specific songs to be performed, and any other performance-related expectations. 5. Intellectual Property: The agreement should address ownership and usage rights of the songwriter's intellectual property, including original songs, lyrics, and musical compositions. It may also include provisions for the performance entity's use of recordings, photographs, or video footage of the performance. 6. Termination and Cancellation: This section outlines the circumstances under which either party can terminate or cancel the agreement. It may include conditions for rescheduling, refunding, or substitute performances in case of unforeseen events or breaches. Types of Houston Texas Songwriter Performance Agreements may vary based on the specific arrangement between the songwriter and the performance entity. Some examples include: 1. Single Live Performance Agreement: This agreement covers a one-time live performance by the songwriter for a particular event, such as a concert or music festival. 2. Multi-Performance Agreement: This type of agreement is suitable for songwriters engaged in a series of performances across multiple dates or venues, such as a tour or residency. 3. Exclusive Performance Agreement: This agreement establishes an exclusive arrangement between the songwriter and the performance entity for a defined period. It restricts the songwriter from performing for other entities within the agreed-upon timeframe. 4. Collaborative Performance Agreement: In cases where multiple songwriters are involved, this agreement outlines the terms and conditions for their collaborative live performances, including revenue sharing and responsibilities. Overall, a Houston Texas Songwriter Performance Agreement serves as a legally binding document that protects the rights and interests of both the songwriter and the performance entity, ensuring a clear understanding of the expectations and obligations associated with live performances in Houston, Texas.

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FAQ

Every time a track or record sells, all the songwriters receive a total of 9.1 cents in mechanical-royalty payments.

Generally, like performing rights royalties, mechanical royalties go to the songwriter. However, sometimes a songwriter will choose to share these royalties with the rest of the band. If you have a publishing deal, your publisher will receive a percentage of your mechanical royalties before paying them out to you.

The songwriter is paid a mechanical royalty every time an album or single is sold. In the United States, the amount songwriters are owed is set by law at 9.1 cents or 1.75 cents per minute of playing time, whichever is greater.

BMI has a similar processa base fee of 38 cents per student, plus other rates for college radio stations, etc. Organizations that host concerts (festivals, ensembles, etc.) also pay license fees.

Songwriters are guaranteed a royalty from every unit sold (CDs, vinyl, cassette, etc.). These royalties are paid out differently in different countries, but in the U.S., they come out to $0.091 per reproduction of the song nine cents every time a song is reproduced/sold.

Physical Mechanical Royalties As a songwriter, you receive mechanical royalties on the sale or reproduction of a song on vinyl, CD, cassette, and other physical media through the Harry Fox Agency. Right now, the rate is 9.1 cents per song.

Songwriters are paid via 3 royalty streams: Today, the current rate is 9.1 cents (typically split with co-writers and publishers). Performance Royalty A songwriter receives a performance royalty when their song is performed on terrestrial broadcast radio, in a live performance venue, or via online streaming services.

Singers should receive the same or a comparable per-song rate as the other musicians performing on the track. This can be anywhere from $50 to $300 per song. Generally, $150 per player per song is an acceptable rate. Not all artists will pay their employed musicians the same.

The rate for Mechanical Royalties in the United States is set by the US government and is $0.091 per CD and digital download. That's 9.1 cents to the composition owners every time the sound recording is pressed to a CD or downloaded from an online store.

Interesting Questions

More info

Document your musical performance agreement. Performance rights are generally paid to song publishers, and managed through two main firms in the U.S. BMI and ASCAP.Sold Out with special guest Celisse. To watch Radin's complete interview and performance, watch the video above. Become a successful independent musician! Jake Kaplan is a staff writer for The Athletic covering the Houston Astros. JoJo Official Website: Tour, music, videos and more. New Song 'Worst (I Assume)' Out Now Trying Not To Think About It Out Oct 1. The official site of Restless Road. New EP available now.

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Houston Texas Songwriter Performance Agreement