Harris Texas Agreement Motion Picture Actor to Perform as Directed by Producer

State:
Multi-State
County:
Harris
Control #:
US-03915BG
Format:
Word; 
Rich Text
Instant download

Description

Checklist of matters to be considered in drafting a contract for the employment of an actor in the motion picture industry:



  1. 1. Names of parties.

  2. 2. Addresses of parties.

  3. 3. Statement of hiring.

  4. 4. Duties of actor.

  5. 5. Exclusive nature of actor's services.

  6. 6. Performances other than in motion pictures required of actor (for example, radio or television appearances).

  7. 7. Producer's right to loan actor's services.

  8. 8. Place or places of performance.

  9. 9. Duration of contract.

  10. 10. Suspension of contract or employment.
  11.      A. During actor's incapacity.
  12.      B. During interruption of employer's business.
  13.      C. While actor in default.

  14. 11. Termination of contract.
  15.      A. Grounds (for example, actor's incapacity or inability to perform, or suspension of production).
  16.      B. Procedure.

  17. 12. Compensation of actor
  18.      A. Amount.
  19.      B. Additional compensation for extra services, and the like.
  20.      C. Times payable.
  21.      D. Right to suspend or terminate compensation.
  22.      E. Right to extend term of contract.
  23.      F. Reimbursement of expenses for, or furnishing of, transportation for actor.
  24.      G. Board and lodging while on location.

  25. 13. Ownership of proceeds of actor's work.

  26. 14. Right to use actor's name, likeness, recordings, photographs, and the like, for
    advertising purposes.

  27. 15. Credits to be given to actor

  28. 16. Providing costumes and wardrobe for actor.

  29. 17. Right to dub actor's voice and to use double or substitute actor.

  30. 18. Conduct of actor.

  31. 19. Liability of actor for damage caused by unauthorized absences.

  32. 20. Life, health, or other insurance for actor.

  33. 21. Effect of interruption of production or of closing of theaters from which producer derives revenue

  34. 22. Guarantee of employment.

  35. 23. Assignment of contract or of rights under contract.

  36. 24. Layoffs.

  37. 25. Breach, including:

  38.      A. Effect of breach;
  39.      B. Rights and remedies of parties; and
  40.      C. Effect of waiver of breach.

  41. 26. Incorporation of union agreement, rules, or regulations into contract.

  42. 27. Manner of giving notice.

  43. 28. Indication of jurisdiction whose law governs contract

  44. 29. Effect of illegality of provisions in contract.

  45. 30. Signatures of parties.

The Harris Texas Agreement is a legal document that outlines the arrangement between a motion picture actor and the producer regarding the actor's performance in the film. This agreement governs the actor's obligations and rights during the production process, ensuring that they perform as directed by the producer. It covers various aspects such as compensation, scheduling, confidentiality, and intellectual property rights. The main purpose of the Harris Texas Agreement Motion Picture Actor to Perform as Directed by Producer is to establish a clear understanding between the actor and the producer, ensuring a smooth collaboration throughout the filmmaking process. It is crucial for both parties to carefully review and negotiate the terms of this agreement to protect their respective interests. One of the key highlights of this agreement is compensation. The actor's payment may be structured in multiple ways, such as a fixed fee, a percentage of the film's profits, or a combination of both. The agreement also specifies the schedule and duration of the actor's involvement and any additional services or obligations they may have outside their performance on screen. Confidentiality and non-disclosure provisions are critical in protecting the film's content and preventing leaks or spoilers. The actor agrees to keep any information about the film, its plot, characters, or any other confidential material strictly confidential, both during and after the production. Intellectual property rights are another crucial aspect of this agreement. It ensures that the producer owns the rights to the film and all associated materials, while the actor may retain certain image rights for publicity purposes. The agreement may also include provisions for the actor's participation in promotional activities such as press conferences, premieres, and interviews. Different types of Harris Texas Agreement Motion Picture Actor to Perform as Directed by Producer may vary in their specific terms and conditions, catering to the unique requirements of each film production. For example, there might be agreements for lead actors, supporting actors, or even extras, each with their own set of responsibilities and expectations. The agreements may also differ based on the genre of the film, its budgetary constraints, or any specific contractual requirements imposed by distributors or financiers. In conclusion, the Harris Texas Agreement Motion Picture Actor to Perform as Directed by Producer is a crucial document outlining the responsibilities and expectations of the actor during a film production. It ensures that both the actor and the producer are on the same page regarding compensation, schedule, confidentiality, and intellectual property rights. Given the various types of film productions and the diversity of actors' roles, there may be different versions of this agreement, tailored to specific circumstances and requirements.

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FAQ

The director is primarily responsible for overseeing the shooting and assembly of a film.

Film Director Responsibilities: Motivating actors to produce their best dramatic performance. Reading scripts and working on its continued development. Attending casting sessions and selecting actors. Interpreting a script and understanding the story and narrative style. Overseeing rehearsals. Identifying set locations.

A film producer manages the business side of the production, while the director handles the creative side. There are also many producers, (because there are many moving parts to producing a film), while there is typically only one director making the majority of the creative decisions.

It's arguable that Roger Corman is the most influential and important filmmaker to have emerged in late 20th century America.

Roger William Corman (born April 5, 1926) is an American film director, producer, and actor. He has been called "The Pope of Pop Cinema" and is known as a trailblazer in the world of independent film.

A production managerofficially called a unit production manager by the Directors Guild of Americais responsible for budgets, shooting schedules, and managing the day-to-day business side of a production. The production manager also oversees what's known as below-the-line crew.

A director is a person who determines the creative vision of a feature film, television show, play, short film, or other production. They have complete artistic control of a project.

When he had more to work with, however, Corman made the most of it: The string of Edgar Allan Poe-inspired horror films he produced at American International Pictures (AIP) in the early 1960s featuring Vincent Price have been hailed as artistic gems.

Roger Corman has earned his title The King of the B's after making movies for more than six decades. A quick search on IMDb shows that the filmmaker has more than 400 movies to his credit.

A director is the person who directs the making of a film. The director most often has the highest authority on a film set. Generally, a director controls a film's artistic and dramatic aspects and visualizes the screenplay (or script) while guiding the technical crew and actors in the fulfillment of that vision.

Interesting Questions

More info

Sometimes, actors may state in their contracts where and how they want their names to be displayed in the film credits. View Ashley Harris' profile on LinkedIn, the world's largest professional community.Ashley has 4 jobs listed on their profile. The image depicts Leonardo DiCaprio as Ernest Burkhart and Lily Gladstone as Mollie Burkhart. The characters are married in the film. You should not act or refrain from acting based on information provided in this handbook. It's 40 years this week since the director and convicted sex offender went on the run. Papers of a prominent actress known for her work in radio, television, motion pictures, and theater.

She plays a well-known part. See Ashley's “The Other Woman” (1979). Selling a good story is very important, but it is not enough to be good in any one performance. You must be interested, and the story must interest you. You must also be able to tell stories of your own, which can be interesting and entertaining if you try. Furthermore, you must be willing to read, watch, and listen to both classics and new works by those who make our stories. If you can't do those three things you'd better be thinking more carefully about what you're selling. The stories in this handbook can't teach you about telling a good story. They only talk about the techniques for telling a good story. When you've read all this, you'll know: What a great story must sound like (or how a great director can make you sound great when you write it). How to write about your own experiences, about the past or about your dreams. How to think about what you are saying on tape or when you talk or when you do.

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Harris Texas Agreement Motion Picture Actor to Perform as Directed by Producer